Hi!
One of my students mentioned tendonitis problems in his wrist on the Swordschool Discord server this week. It’s probably caused by holding his sword incorrectly, which forces the small stabiliser muscles to do more work than they evolved for. He is by no means the first student I’ve seen with this problem. It has been my experience that almost every sword student at any level in any style is either holding their sword incorrectly, or at the very least, there was room for improvement. This is partly due to most modern sword makers producing handles that are a bit too big, or a bit too round; and partly due to most people simply not understanding how the mechanics of sword holding is supposed to work.
In essence, your grip strength and wrist stabilisation strength should be acting as back-up systems only: the sword should stay in your hand with almost no strength being used at all, and when you strike, the force coming back from the target should be routed through the bones of your hands and wrist, and thence through your body to the ground, with no need to tighten up on impact at all.
Seriously. Not at all.
Have a look at this video of me hitting the wall target with a rapier, and bashing the tyre with a longsword. My hand is not just relaxed, it’s actually open, to demonstrate beyond reasonable doubt that grip strength is not required.
Video demonstrating grip |
I have been banging this drum for many, many, years now (I first posted that video in 2012!), and have written this up in many places, and posted endless video content about it, and yet still the sword world has crappy sword holding skills. This is for three reasons:
So how should you hold the sword?
That depends on what kind of sword it is, and what you want to do with it.
Generally, the sword is either held back in the hand, like so:
Or extended in the grip, like so:
This is also how most chefs hold their kitchen knives when chopping and slicing.
There are exceptions: we do sometimes support the flat instead of the edge, like so:
The sword is usually held back in the hand when it’s also held back near the body, and extended in the hand when the sword arm is extended from the body. Some longsword folk have half-understood this concept and hold their longsword in the extended grip even when the guard is chambered (such as in posta di donna). Some swords are almost always held in the extended grip; rapiers, foils, smallswords are good examples. The basic rule still applies- the sword is supported by the bones, not tied in place by the muscles.
The extended grip does not depend on grip strength; you can perfectly well hold the sword with one finger, if it's aligned correctly, like so:
I'm not recommending fighting like this, but it's worth making sure you're not depending on grip strength by opening the thumb, forefinger, ring finger, and little finger, and seeing what happens.
One common error is to extend the wrist, rather than extend the sword in the grip. You need to be able to distinguish between at least three positions of the hand relative to the forearm. Three-knuckle, two-knuckle, and one-knuckle. The easiest way to learn the differences between them is through “Eurythmic push-ups”. You can do them on a mat if you prefer, and you don’t actually need to do the push-up bit; just getting the feeling of the different wrist positions is very helpful.
Eurythmic Pushups |
Cocking the wrist between the ‘three-knuckle’ and ‘one-knuckle’ positions instead of allowing the sword to shift in the grip between the ‘chambered’ and ‘extended’ grips is another common cause of wrist problems.
Please pay attention, this may save you a lot of pain, as well as massively improve your general sword handling.
I introduce the basics of how to hold a longsword in this video borrowed from my Solo Training course
Watch here: How to hold a longsword |
This footage from a rapier seminar I taught in 2012 goes into the correct grip for the rapier in some detail; you can watch the whole thing of course, or skip to about 22 minutes in, where we get into the grip.
Watch here: The correct grip for rapier |
...for any reason, you may find my Arm Maintenance course useful. It’s free, and bundled in with my Human Maintenance course.
Sorry it's been so long since the last coaches' corner. We are getting started up again for 2022, and our first session of the year will be a Q+A with me and anyone else who wants to chime in–if you've been to these before, you'll know that there is a wide pool of experience and skill to draw on in our regular attendees.
The session will be on SUNDAY FEBRUARY 20TH at 3pm UTC. Yes, it's a Sunday, not a Saturday this time. The year was getting away from me somewhat, and it was switch the day, or organise nothing until March! I hope you'll be able to join us. You can find the event booking by clicking the button below. Attendance is the usual £12, £6, or free.
Sign Up |
Ariel Anderssen is a model, actor, author, property investor and is perhaps best known for her career as a BDSM model and performer. She is also mad about swords, both for using in stage combat and for collecting. We cover a lot in this conversation, including talking about whether stage combat or martial arts training would be any use in a “real life” fight, and how Ariel sees BDSM and sword fighting as virtually indistinguishable from one another. After all, they both often involve black leather and giving someone a good thrashing…
Listen to this episode wherever you get your podcasts, such as: Podbean, Apple Podcasts, Google Podcasts, Stitcher, TuneIn, Spotify, or RSS.
yours,
Guy
Dr. Guy Windsor is a world-renowned instructor and a pioneering researcher of medieval and renaissance martial arts. He has been teaching the Art of Arms full-time since founding The School of European Swordsmanship in Helsinki, Finland, in 2001. His day job is finding and analysing historical swordsmanship treatises, figuring out the systems they represent, creating a syllabus from the treatises for his students to train with, and teaching the system to his students all over the world. Guy is the author of numerous classic books about the art of swordsmanship and has consulted on swordfighting game design and stage combat. He developed the card game, Audatia, based on Fiore dei Liberi's Art of Arms, his primary field of study. In 2018 Edinburgh University awarded him a PhD by Research Publications for his work recreating historical combat systems. When not studying medieval and renaissance swordsmanship or writing books Guy can be found in his shed woodworking or spending time with his family.
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