well, not quite yet. Hi. Yesterday I sent the final draft of From Medieval Manuscript to Modern Practice: the Dagger Techniques of Fiore dei Liberi off to the editor. Hurrah! There's a lot of admin work to do from here, checking edits, sending to layout, making sure all the links work etc., but let's put it this way: if I became incapacitated, my highly competent assistant could get the book finished and into your hands no problem. Which means that it's ready to preorder, in ebook, paperback, or hardback. I expect the book back from the editor this month, and back from layout in October, so if all goes well it should ship in mid-November. You can find it here. So what's the book about?It's my complete interpretation of Fiore dei Liberi's dagger plays. Every single one of the 76 plays we see in the Getty manuscript is there, with the illustration from the manuscript, my transcription, my translation, my explanation of how it works, and a link to a video clip showing my interpretation in action. There is also a comprehensive introduction about Fiore himself, the treatise, and the four known manuscript versions of his work, and various asides and digressions about elements of practice. Going by word count, the actual dagger plays and interpretation text is about 60% of the book, so there's a lot of extra material. Sound like fun? Preorder here. Here's an example of what you'll get (it will look better when the layout is done by a professional: this is just me pasting stuff into an email program). The Seventh and Eighth Plays of the Ninth MasterF18v I will not abandon the grip of my master so that this player saw that he could not leave the grip. And he leant down with the dagger towards the ground. And I immediately will grip his hand with my left hand between his legs. And when his hand has been well secured, I will pass behind him. As you can see, he cannot dismount [from my grip] without falling. And this play that is after me I can do. The right hand leaves the dagger, and I will come to grab him by the foot to put him completely on the ground, and I will not forget to take his dagger from him. Questo scolaro che me denanzi a fatto lo principio, et io fazo del so zogho la fine de mandarlo in terra como ello ha ben ditto. Per che questo zogho non habia corso in larte, volemo mostrare che in tutta liei habiamo parte. This scholar that is before me has done the start, and I do the end of the play, by sending him to the ground as he has well said. Because this play is not common in the art, we want to show that we have a part in all of it. This technique is fascinating, and lots of fun to practice if you’re careful. It works best if the player is pulling back on contact, or you can create some space for it by a sneaky backfist to the groin with your left hand. Having made the cover, you slam their wrist into their groin, then let go with your left hand (unless you already did to do the backfist) and reach around their leg to grab their wrist again from behind. This is quite easy because you are just finding your own right hand. Then let go with your right hand and bring that around too. You’re now holding their wrist between their legs from behind. If you just yank upwards they will fall on their face, or you can grab their ankle and yank that up for extra vim. Fiore recommends doing the disarm too, which we see in the first image. You can see this play here. (The book will have an easily typed redirectable link, guywindsor.net / dagger064, which email delivery services don't like!) I'm hoping it's really obvious to you whether this is your kind of thing or not. If not, no worries, there's plenty of other material for you. But if it is your thing, you can preorder here. I expect the book back from the editor this month, and back from layout in October, so if all goes well it should ship in mid-November. cheers, Guy |
Dr. Guy Windsor is a world-renowned instructor and a pioneering researcher of medieval and renaissance martial arts. He has been teaching the Art of Arms full-time since founding The School of European Swordsmanship in Helsinki, Finland, in 2001. His day job is finding and analysing historical swordsmanship treatises, figuring out the systems they represent, creating a syllabus from the treatises for his students to train with, and teaching the system to his students all over the world. Guy is the author of numerous classic books about the art of swordsmanship and has consulted on swordfighting game design and stage combat. He developed the card game, Audatia, based on Fiore dei Liberi's Art of Arms, his primary field of study. In 2018 Edinburgh University awarded him a PhD by Research Publications for his work recreating historical combat systems. When not studying medieval and renaissance swordsmanship or writing books Guy can be found in his shed woodworking or spending time with his family.
BOOKS PODCAST COURSES COMMUNITY BLOG Hi! I was in London a couple of weeks ago for a family reunion, and took the opportunity to wiggle along for another DEXA scan. My last was a year ago. On the positive side, I’ve put on about 2.4kg of ‘lean tissue’ (the scan can identify fat, bone, and ‘lean tissue’, which is everything else), mostly in the upper torso. So all that weight training and eating protein is paying off. And my overall fat percentage has come down from 24.8% in May 2024, to 21.5%...
BOOKS PODCAST COURSES COMMUNITY BLOG Hi! Firstly thanks to everyone who sent me questions to answer in the upcoming dagger book. I’ve answered every email I received, so if you’ve sent a question but haven’t heard back please send it again. This book is part of the From Medieval Manuscript to Modern Practice series, so has my transcription, translation, and interpretation of every one of the dagger plays in the Getty Ms, with a video clip of how I do it in practice, as well as discussion on...
BOOKS PODCAST COURSES COMMUNITY BLOG Hi! It was only last Friday when you got an email from me saying I was still completely stuck on From Medieval Manuscript to Modern Practice: the Dagger Techniques of Fiore dei Liberi. When that email arrived in my inbox (yes I'm subscribed to my own newsletter: it's quality control not narcissism, I promise), I thought I'd just open the book file and see how far along it was. Somehow that triggered a rash of productivity, and at about 7.30am this morning...